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Window Shopping 
(2014)

chamber opera

Presented by Ripieno Ensemble PH (Manila)

Stephanie Quintin, WOMAN

Pauline Arejola, GIRL

Tête à Tête Opera Festival (UK Premiere)

Shimona Thevathasan, WOMAN

Moira Loh, GIRL

Libretto by Jack Lin

Instrumentation

voices (2):

WOMAN, soprano/mezzo-soprano

GIRL, soprano 

ensemble (5):

flute

clarinet in Bb

violin 

violoncello

piano

Note: Piano-Vocal version available for rehearsal and performance, contact us for more information.

Duration: 20'

I. Prelude (WOMAN)

II. A Woman's Lament (WOMAN)

III. Time to Shop! (GIRL & WOMAN)

IV. Shopping Aria (GIRL)

V. Intermezzo (GIRL & WOMAN)

VI. Ending (GIRL & WOMAN)

Synopsis: 

At a boutique shoe shop set in the present day, the scene begins with a woman in her thirties wandering into the shop (Prelude). She takes her time to browse through the shop with a sense of nostalgia and reminisces about her visit to the same store many years ago, perhaps in déjà vu. Each pair of heels in the shoe boutique reminds her of her past, and she laments to herself (A Woman’s Lament). Whilst she is immersed in her memories of youthful folly, a girl enters the shop full of excitement and announces that it is Time to Shop! while the Woman sings with regret in the background. As if on a shopping spree, the Girl goes on to portray the carefree shopaholic in Shopping Aria.

The woman and the girl seem to be unaware of each other’s presence, as they browse through the shop, and eventually both arrive at a blue pair of shoes. This special pair of heels has both women transfixed; one is teeming with excitement, and the other is simply overwhelmed by memories. The Woman expresses her regrets about her past, where ‘Every sole has a story... but they are always blinded by the ground’ while the Girl looks forward to a wonderful future ahead where ‘each sole (soul) has a new story to tell!’

As the opera ends (Ending), they reflect through simultaneous spoken lines. The Woman laments about her past in self-reflection whilst the Girl looks forward to her unknown but bright future. It is left open to the audience to interpret whether they are simply two different characters or the same person separated through time. The opera concludes open-endedly, without either character making any purchase.

A Singapore Trilogy

Window Shopping may also be performed as part of A Singapore Trilogy, along with Laksa Cantata and Kopi For One.

vocals by

Akiko Otao, WOMAN

Akiko Otao, GIRL

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Performances:

Chamber.Sounds commission and premiere (2014)

Akiko Otao (USA/JP/SIN), WOMAN

Cherie Tse (SIN), GIRL

Hong Kong New Music Ensemble (2015)

Chen Zhangyi, conductor

Stefanie Quintin (PH), WOMAN        

Chloe Lam (HK), GIRL 

                 

L'arietta. 'Arts In Your Neighbourhood', National Arts Council (2016)

Multiple performances, piano version.

Angela Hodgins (USA/UK), WOMAN

Akiko Otao (USA/JP/SIN), GIRL     

 

L'arietta, A Singapore Trilogy (2018)

Aloysius Foong, conductor 

Felicia Teo (MY/SIN), WOMAN         

Phoebe Chee (SIN), GIRL

                       

Ensemble Ripieno, Manila, Philippines. (2019)

Chen Zhangyi, conductor

Stefanie Quintin (PH), WOMAN

Pauline Arejola (PH), GIRL    

L’arietta, A Singapore Trilogy, studio recording. United Records (2020)

Chen Zhangyi, conductor

Akiko Otao (USA/SIN), WOMAN

Akiko Otao (USA/SIN), GIRL

                     

L'arietta - 'Straits Times 30 Days of Art' - SG Trilogy Suite (2020)

Short Film, piano version.

Phoebe Chee (SIN/US), GIRL 

                                          

Opera Asia & Thailand Philharmonic Orchestra, Bangkok (2025)

Chen Zhangyi, conductor

Mu Yu (CN/TH), WOMAN    

Panchita Meksakulwong (TH), GIRL

                           

Tête à Tête Opera Festival, UK. (2025)

Clio Project & Opera Asia

Shimona Thevathasan (SIN/UK), WOMAN

Moira Loh (SIN/UK), GIRL

L'arietta. 'Arts In Your Neighbourhood', National Arts Council (2016)

Ripieno Ensemble (PH) on 98.7 DZFE

Alexander John Villanueva, conductor

Tête à Tête, Opera Festival 2025 (UK)

Produced by Clio Project & Opera Asia

© 2026 by Wynne Fung

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